Filtrer
Éditeurs
Hachette Childrens
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The Ickabog is coming... A mythical monster, a kingdom in peril, an adventure that will test two children''s bravery to the limit. Discover a brilliantly original fairy tale about the power of hope and friendship to triumph against all odds, from one of the world''s best storytellers. The kingdom of Cornucopia was once the happiest in the world. It had plenty of gold, a king with the finest moustaches you could possibly imagine, and butchers, bakers and cheesemongers whose exquisite foods made a person dance with delight when they ate them. Everything was perfect - except for the misty Marshlands to the north which, according to legend, were home to the monstrous Ickabog. Anyone sensible knew that the Ickabog was just a myth, to scare children into behaving. But the funny thing about myths is that sometimes they take on a life of their own. Could a myth unseat a beloved king? Could a myth bring a once happy country to its knees? Could a myth thrust two children into an adventure they didn''t ask for and never expected? If you''re feeling brave, step into the pages of this book to find out... A beautiful hardback edition, perfect for sharing and gift-giving. Brought to life with full-colour illustrations by the young winners of The Ickabog competition.
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WINNER OF THE PULITZER PRIZE FOR FICTION 2017 WINNER OF THE ARTHUR C. CLARKE AWARD 2017 LONGLISTED FOR THE MAN BOOKER PRIZE 2017 NATIONAL BOOK AWARD WINNER 2016 AMAZON.COM #1 BOOK OF THE YEAR 2016 #1 NEW YORK TIMES BESTSELLER AND A NEW YORK TIMES BOOK OF THE YEAR 'Whitehead is on a roll: the reviews have been sublime' Guardian 'Luminous, furious, wildly inventive' Observer 'Hands down one of the best, if not the best, book I've read this year' Stylist 'Dazzling' New York Review of Books Praised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017. Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North. In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.
